April 29, 2016July 25, 2017How To, Music Theory Using pentatonic scales to create major modes: Aeolian The second to last of the major modes is aeolian, or natural […] Facebook Twitter LinkedIn
April 28, 2016July 25, 2017How To, Music Theory Using pentatonic scales to create major modes: Mixolydian Mixolydian forms the third part of the holy triumvirate of the ii […] Facebook Twitter LinkedIn
April 27, 2016July 25, 2017How To, Music Theory Using pentatonic scales to create major modes: Lydian Next up: lydian. Lydian can be played over any major or major […] Facebook Twitter LinkedIn
April 26, 2016July 25, 2017How To, Music Theory Using pentatonic scales to create major modes: Phrygian Okay! Let’s say you have a static minor chord that you want […] Facebook Twitter LinkedIn
April 26, 2016July 25, 2017How To, Music Theory Using pentatonic scales to create major modes: Dorian Okay, to continue the idea of the last post, we’re going to […] Facebook Twitter LinkedIn