Eurorack 101 musings
The Best Thing I’ve Discovered about Modular Synthesis / Eurorack I’m a […]
Tag: theory
Theme, variations, and rearrangement
Below is a theme that I’ve posted earlier, with another track that […]
Using major pentatonic b6 for altered chords
The dominant 7th chord has the ability to take all kinds of […]
How to use the major pentatonic b6 scale for melodic minor modes
Just as the standard major pentatonic scale can be used to create […]
Tritone substitutions
The II V I in the key of C is normally expressed […]
Another way to apply pentatonic major to ii V I progressions
Another way to look at II V I progressions is to treat […]
How to apply pentatonic major to ii V I progressions
Now that we know how major pentatonic applies to all the different […]
Using pentatonic scales to create major modes: Locrian
The last major mode is locrian. This scale is used over minor […]
Using pentatonic scales to create major modes: Aeolian
The second to last of the major modes is aeolian, or natural […]
Using pentatonic scales to create major modes: Mixolydian
Mixolydian forms the third part of the holy triumvirate of the ii […]